Two Poems
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Deborah Paredez is the author of the critical study, Selenidad: Selena, Latinos, and the Performance of Memory (Duke 2009) and of the poetry volumes, This Side of Skin (Wings Press 2002), and Year of the Dog, forthcoming from BOA Editions in 2020. Her poetry and essays have appeared in The New York Times, Los Angeles Review of Books, Boston Review, Poetry, Poet Lore, and elsewhere. She lives in New York City where she teaches creative writing and ethnic studies at Columbia University and serves as Co-Founder and Co-Director of CantoMundo, a national organization for Latinx poets.

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PoetryMay 19, 2024

“Everything only connected by ‘and’ and ‘and’”: On Elizabeth Bishop and Disappointment

In prose that’s erudite and accessible, former Editor-in-Chief of At Length, Jonathan Farmer, explores why “[s]o many of Elizabeth Bishop’s poems end with something audibly, willfully unsatisfying.” Covering Bishop’s career from “The Map” (1946) to her late elegy for Robert Lowell, “North Haven” (1977), Farmer’s claim will send you back to Bishop’s poems with new eyes.

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PoetryFebruary 16, 2024

Whistlejacket

“[W]hat am I to do / about beauty, about / my fear that beauty // has made me arrange / every experience in a word / and image too neatly // for them to bear / much semblance to life,” Paisley Rekdal asks in this confessional, ekphrastic poem written in response to George Stubb’s famed painting of an Arabian thoroughbred, “Whistlejacket” (1762), on view at the National Gallery in London.

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PoetryFebruary 9, 2024

Sarracenia

“[H]ow do they bear this heat Who / knows who can say what will change,” Joanna Klink writes of this poem’s eponymous plant, also known as trumpet pitchers, as she explores our climate crisis and her relationship with her father in language that is both colloquial and catastrophic, meditative and urgent.

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PoetryApril 11, 2023

Three Weeks

“I am going to try to write / A little. // I have nothing at stake but my life.” In Dawn Potter‘s sequence, a 19th century woman alternates between diary entries and poems, trying to make sense of her life, her obligations, her hunger for holiness, and a feeling of disaster or deliverance just out of view.

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