at Length

Robert Calafiore talks with Debra Klomp Ching about his extraordinary and colorful pinhole photographs.

“Possibly the most disturbing thing about prosody–but about syntax especially, because it involves choice–is its utter fidelity to our innermost–truer?–selves. We sing–and we are betrayed.”Carl Phillips maps the work of syntax through examples from Elizabeth Bishop, Robert Hayden, Tommy Pico, Shakespeare, Hemingway, Sharon Olds, Ed Skoog, Linda Gregg, and francine j. harris.

“To lift and see my hands. To see my elbows in a headstand. There went the earth, pressed down. There I went, up from what was dragging me.” A new essay on surprise, yoga, shooting, and writing from Colette LaBouff.

“Dylan became our soundtrack, as we wrestled with confusion, living so far from home.” Philip Metres discovers a quintessentially American album while living in Russia.